This week continues a tradition that began in 2015: our tenth joint colloquium shared by the Linguistics and Philosophy halves of our department:
Speaker: Dorit Abusch & Mats Rooth (Cornell University)
Title: Possible worlds semantics for film and the problem of over-informative embedding
Time: Friday, December 6th, 3.30-5pm
Location: 32-141
Abstract: In the superlinguistics program, the possible worlds toolkit from the philosophy of language and linguistic semantics is applied to other informational artifacts. This talk develops this for film. While film has hardly any obvious syntax apart from the concatenation of shots, methodologically it is useful to posit an abstract syntax that is interpreted compositionally. We begin by reviewing prior work on geometric semantics, temporal progression, and indexing in pictorial narratives, and then develop them for film. The result is a possible worlds semantics for extensional passages in film. Intensional passages in film include shots describing the hallucinations, dreams, and recollections of a character. Thematically, they include stories about drug-induced hallucination, characters who see the dead, and schizophrenic characters who interact with imaginary ones. In the abstract syntax, a straightforward embedding strategy is adopted, involving an attitude predicate, and a discourse referent for an experiencer. For the semantics, we argue that there is a systematic problem of the embedded shots having detailed geometric, temporal, and (for sound film) acoustic information. This information is so strong that it is implausible that in described situations, the experiencing character should have strong enough information to entail the information in the embedded shot. This makes Hintikka semantics for embedding in film problematic. A starting point for a solution is the hypothesis that attitudinal alternatives for a hallucinating or mis-remembering character should be comparable to the attitudinal alternatives of a character who is perceiving their environment veridically, or remembering accurately. Since people do not pick up all the information in their visual and acoustic environments, the attitudinal state of a hallucinating character should not be required to entail all of the geometric, temporal, and acoustic information in an embedded film shot.