Speaker: Juan Cancel (MIT)
Title: Metrical Incoherence or Opacity: A Stratal OT Analysis of Rhythmic Gradation in Nganasan
Time: Thursday, November 4th, 5-6:30pm
Location: 32-D831
Abstract: The topic of Rhythmic Gradation in Nganasan (Wagner-Nagy 2018) has been the subject of much discussion in the literature since it has been considered as an example of metrical incoherence (González 2003 and Vaysman 2009). In contrast to literature such as Hayes 1980 and Selkirk 1980 which argue that stress and foot-parsing are equivalent to each other, the literature on metrical incoherence argues that stress and foot-parsing should be considered as two phonological entities separate from each other since in various languages such as Nganasan, rhythmic phenomena explained by feet are seemingly independent of stress assignment. From facts such as these, Vaysman 2009 provides an analysis in terms of Optimality Theory (OT) which accounts for the Rhythmic Gradation facts in Nganasan by making stress assignment be partially independent from the foot-parsing needed to generate Rhythmic Gradation.
Nonetheless, recent literature such as Benz 2018 and Kaplan 2022 have argued that cases of metrical incoherence can be reanalyzed as instances of opacity where phonological rules apply even though the context controlling for them is no longer present. They do so in terms of Stratal OT (Kiparsky 2000), a version of OT in which there can be more than one stratum and each stratum can have different constraint rankings. Thus, the current proposal will argue that what we see in Rhythmic Gradation in Nganasan is not a case of metrical incoherence, but a case of phonological opacity involving two strata. A Stratal OT analysis is attractive not only because it can explain the same facts as Vaysman 2009, but because it can do so without having to invoke metrical incoherence. Furthermore, it sets a framework that can help explain other opaque interactions involving Rhythmic Gradation as well.